Saturday, 1 December 2012

Swoon

Swoon is a street artist born in New London, Connecticut, and raised in Daytona Beach, Florida. She moved to New York City at age nineteen, and specializes in life-size wheatpaste prints and paper cutouts of figures. Swoon, real name Caledonia Dance Curry, studied painting at the Pratt institute in Brooklyn and started doing street art around 1999.

 



Yun Woo Choi




Ben Shahn

Ben Shahn (September 12, 1898 – March 14, 1969) was a Lithuanian-born American artist. He is best known for his works of social realism, his left-wing political views, and his series of lectures published as The Shape of Content.

 

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Robert Rauscenberg

 
 

Julie Mehretu

Julie Mehretu (born 1970 in Addis Ababa, Ethiopia) is an artist, best known for her densely-layered abstract paintings and prints. She lives and works in New York City. Mehretu shares her New York studio with her partner, the artist, Jessica Rankin



  


Matthew Ritchie


Ritchie attended the Camberwell School of Art 1983 to 1986. He describes himself as "classically trained" but also points to a minimalist influence.
Ritchie's art revolves around a personal mythology drawn from creation mythsparticle physicsthermodynamics, and games of chance, among other elements.

 

Mark Bradford

The Devil is Beating his Wife (and detail)

Mark Bradford

The Devil is Beating his Wife (and detail)

2003
Billboard paper, photomechanical reproductions, permanent-wave end papers, stencils, and additional mixed media on plywood

335.3 x 609.6 cm


Mark Bradford’s abstractions unite high art and popular culture as unorthodox tableaux of unequivocal beauty. Working in both paint and collage, Bradford incorporates elements from his daily life into his canvases: remnants of found posters and billboards, graffitied stencils and logos, and hairdresser’s permanent endpapers he’s collected from his other profession as a stylist. In The Devil is Beating His Wife, Bradford consolidates all these materials into a pixelised eruption of cultural cross-referencing. Built up on plywood in sensuous layers ranging from silky and skin-like to oily and singed, Bradford offers abstraction with an urban flair that’s explosively contemporary.

Kryptonite
Mark Bradford
Kryptonite

2006

Mixed media,collage on paper

249 x 301 cm
The Devil is Beating his Wife (and detail)

Mark Bradford

The Devil is Beating his Wife (and detail)

2003
Billboard paper, photomechanical reproductions, permanent-wave end papers, stencils, and additional mixed media on plywood

335.3 x 609.6 cm






Roni Horn

Roni Horn was born in New York in 1955, and lives and works in New York. She received a BFA from the Rhode Island School of Design and an MFA from Yale University. Horn explores the mutable nature of art through sculptures, works on paper, photography, and books. She describes drawing as the key activity in all her work, “because drawing is about composing relationships.” Horn’s drawings concentrate on the materiality of the objects depicted. She also uses words as the basis for drawings and other works....
Just XIV, 1992
pencil, pigment and varnish on paper
84 x 159.5 cm

Doubt by Water (How), 2003
12 pigmented-printed photographs, produced as 6 two-sided units,
6 aluminium stanchions, UV acrylic
(ed. of 4 + 1 AP)

41.9 x 55.9 cm each
Agua Viva: The dense jungle ..., 2004
silkscreen on Saunders hot press
W/C 410 gr.
(ed. of 2)

129.5 x 129.5 cm

When Dickinson Shut Her Eyes No.689: THE ZEROES-TAUGHT-US-PHOSPORUS, 1993
8 units of solid aluminium
and black plastic
(ed. of 3)

5.1 x 5.1 x variable length
(from 66.67 to 181.61) cm





Idris Khan


Every...Bernd And Hilla Becher Prison Type Gasholders
Idris Khan
Every...Bernd And Hilla Becher Prison Type Gasholders

2004

Photographic print

208 x 160 cm
Every...Bernd And Hilla Becher Spherical Type Gasholders
Idris Khan
Every...Bernd And Hilla Becher Spherical Type Gasholders

2004

Photographic print

208 x 160 cm

Every...Bernd And Hilla Becher Gable Sided Houses
Idris Khan
Every...Bernd And Hilla Becher Gable Sided Houses

2004

Photographic print

208 x 160 cm

Since 1959 Bernd and Hilla Becher have been photographing industrial structures that exemplify modernist engineering, such as gas reservoirs and water towers. Their photographs are often presented in groups of similar design; their repeated images make these everyday buildings seem strangely imposing and alien. Idris Khan’s Every... Bernd And Hilla Becher... series appropriates the Bechers’ imagery and compiles their collections into single super-images. In this piece, multiple images of American-style gabled houses are digitally layered and super-imposed giving the effect of an impressionistic drawing or blurred film still.